ABOUT  |  NOVELS  |  SHORT STORIES  |  SIGNED BOOKS  |   BLOG   |   READING ROOM    |    FAQ - BOOKS    |   AUDIO-BOOKS   |   

WHAT'S NEW    |   SCRIPTS   |  CONTACT   |   BUY COOL STUFF    |    LINKS   |    ON WRITING   |   APPEARANCES
________________________________________________________________________________

Welcome to Castle d'Orleans!

   

Peruse, if you will, the secret history
of Richard d'Orleans,  a.k.a. Richard Dun--

Camelot's greatest knight!

 

 

Books in reading order:

Keeper of the King

His Father's Son

Siege Perilous

Buy at Baen Books

 

Wolf and Hound  --  short story featuring Sabra du Lac in Dracula in London

Booksamillion

Barnes & Noble

 

Transcript of Collaboration Panel w/P.N. Elrod & Richard Hatch - inside information on how different writers handle working together to make a book!

 

  

 

 

The audio book performed by Nigel Bennett! 

Click on cover to buy!

 

 

 

 


 

The Collaborators....

 

NIGEL BENNETT

For those of you who haven't watched any TV in the last dozen years, Nigel Bennett is an actor of outstanding talent who's graced countless shows as a guest.  He has an impressive list of film and stage appearances and starred in Forever Knight as the seductively villainous LaCroix for which he won the Gemini award for best supporting actor in a dramatic series.  To get yourself in the loop about Pat's partner in crime, please check out his website at www.blackhatstation.com.  

 

 

 

AggieCon 30, 1999, a shot of co-writer Nigel Bennett helping pass out awards with Ted Raimi who is best known for his Joxer character on Xena, Warrior Princess. Pat says, "Ted is just as funny and charming as his character, and did a heck of a job leading off the AggieCon Dance. You should see his Travolta imitation!"

 

 

 

 

 

 

 

 

 

Three of Pat's favorite people: Natsuko Ohama, (Captain Cohen from Forever Knight’s second season), John Kapelos (Don Schanke), and her favorite collaborator, Nigel Bennett. They were all guesting at a San Francisco charity auction together, Bridging the Knight. It was at this convention that Nigel and Pat first put characters up for bid. Anyone with enough cash could be a character in their book, His Father’s Son. They had five up for grabs and sold them all for a total of $1100.00 going to the charity! The highest? Over 500.00 for the Texas hooker who gets the bite from vampire Richard Dun. They made sure to write that scene extra hot for the lady who won!

 

 

 

 

 

Back to top


The cover of our first novel, Keeper of the King.

What if Lancelot had been a vampire? What if he was still around today, keeping watch over the realm of England? And….what if he has to go after the Grail? Again? And this time he cannot fail!

"The back story? It began at Galaxy Fair in 1995, put on by my good friend Teresa Patterson (writer, artist, and current President of ASFA (Association of Science Fiction & Fantasy Artists). Teresa was hanging with book packagers Bill Fawcett, who was looking at Nigel and asked aloud, "I wonder if that guy could write a vampire book?" Nigel was starring in Forever Knight at the time, and to Bill it seemed a logical progression as well as a heck of a marketing hook.

Teresa said, "Why don’t you ask him?"

"Yeah, but what if he can’t write?"

"Then team him with someone who can write…like Pat Elrod."

"Gawd BLESS that woman! But they kept hush about it, so I had NO idea that machinations were going on behind the scenes. I just sailed along doing my convention thing, enjoying Nigel’s talks and generally having a great time.

 

 

 

 

Pat and Nigel meet for the first time at Galaxy Fair 1995,
with no idea they'd ever be writing books together. 

 

 

 

 

 

 

 

"About 6 months later Nigel and I were guesting at a convention in Boston and he mentioned an interest in writing, so I gave him one of my Handy Dandy How to be A Writer Kits.  At that time it was a collection of Xeroxed pages with stuff on writing I wished I’d had starting out. He thanked me, and then I interviewed him for my then hardcopy fan club newsletter. 

Another six months after THAT, at a convention in New Orleans, Nigel was about to go on stage and spotted me. "Pat, Pat—I need to talk with you!"

I thought,  "Hah? Wha’d I do?" I couldn’t think of anything but had to have a hint, so I broke line to find out. "Nigel, the last time anyone said they had to talk with me I got fired so…."

"Oh, nothing like that! It’s about writing."

Whew. Writing. Well, I knew a few things about THAT, so I relaxed and enjoyed the opening ceremonies. A couple hours later in the green room—where the guests could all hang out—he sat opposite me, looking all eager about something. Sitting next to us was the very dishy Michael O’Hare who played Cmdr. Sinclair on Babylon 5. He and Nigel had been talking shop until then, and now he listened with bemusement as more shop talk happened in a different venue of creativity.  

 

 

Have I mentioned yet that I LOVE this job???

 1995--Nigel, Deborah, P.N. Elrod, fan GoH,
Michael O'Hare, Frank Paur at Crescent City Con 10.

"So whatís up?" I asked when we got back to the green room. The place smelled of gumbo (yum), a TV was on in the corner and Michael O'Hare flipped channels, keeping the sound low.

Nigel said, "Well, there’s this guy (he snickers) who’s asked my agent if I might like to write a vampire book. Your name was on the short list of possible collaborators."

Shock doesn’t BEGIN to describe what was happening to me inside. Outwardly I was all cool and calm like a professional is supposed to look. Inside I was going coo-coo for Cocoa Puffs, waaaaaahhhoooooo!

"Oh, yeah?" I said, acting like this happens all the time, but failing to keep my elbow on the chair arm.  I was hard pressed not to pitch right outta my chair with shock, but I didn't want to look like too much of a ditz in front of Michael O'Hare.  Nigel was, by now after two previous cons, well used to the ditz factor in my internal programming.

So he told me what he knew about the project, and I was mystified as to how I’d gotten on this list. Bill and Teresa hadn’t said ONE word to me, which is just as well! As Nigel talked I kept thinking I don’t have time for this sort of a project, I’m behind on other books, yadda-yadda. Then this sane voice inside yelled "SHADDUP! You’re gonna MAKE time for this one!! Shut the heck up and say yes!!!!!"

Then Nigel mentioned Bill’s name and I realized:  "Hey…this is a bud…I can trust him. Cool! This will be a project, not just an idea."  Whether it'd be a project that would include me had yet to be determined.

I told Nigel that I thought I could fit this into my schedule, but that he also had to have a lot of information before committing himself. I promised to send him a "Publishing 101" letter outlining stuff he should know before signing any contract. I also said—knowing full well that I could be talking myself out of this fantastic job—that he would be the best judge on who to team up with. His best course of action was to read my stuff, read the other writers’ stuff, and decide for himself whose style was most compatible with his own. "If you’re not comfortable with the writer, it ain’t gonna work."

Two days after the con, I’d finished a 7-page letter for Nigel and sent it off. Of course I phoned Teresa and talked to Bill, all excited, hardly daring to hope I would get the job. It was very up in the air. I didn’t want to get too hopeful, lest there be a terrible let down. If it happened it would happen and if not, then it was never meant to be.

A month later Bill phoned. I had the job and Nigel had my phone number.

An hour later Nigel phoned. He was all laughing and excited. Me too. I had no idea what was in store, I’d never before collaborated with anyone, ditto for Nigel, but Bill had promised to come along and guide us through the process.

 

 

 

 

Two months later I’m holed up in a Toronto hotel room with Bill Fawcett, Nigel and a tape recorder, throwing ideas on the table and scarfing chocolate chip cookies.

The story storming session eventually became our James Bond with fangs adventure, Keeper of the King. A thoroughly wonderful experience.

 

 

 

 

 

 

 

   

Our first story-storming session in Toronto.  A totally weird surprise was finding out Nigel and I had identical laptops.  We were both a bit freaked, but took it as a sign of good luck for the project.

I'm reacting to his color screen. I chose a B&W as being less distracting to my eyes.  Hey, it was cutting edge in the 90s!

 

 

 

 

 

 

 

 

 

 

Day two of the outlining marathon. Nigel's still going strong, but I'm running out of steam.

We're almost finished and good thing, we're out of cookies. Yoiks!

 

 

  Photos copyright Bill Fawcett 2012

 

 

 

 

 

 

My favorite picture taken right after we finished plotting out Keeper.  If I look dreamy-eyed, it’s because my brain had turned to oatmeal after six hours of story-storming!

It was a great experience; Nigel was terrific to work with, enthusiastic, talented, thoroughly professional, and boy, did I learn a lot!

 

 

He came back the second day, having been up hours the night before working on Chapter One.

So there I am with him reading what would become the first pages of our book aloud, his blue eyes fired up and flashing. And Iím thinking: "Day-umÖ.Iím getting paid to do this!!"

 

 

 

 

 

 

 

Our first bookstore signing, San Francisco at Dark Destinies. He’s in his brand new Murder at 1600 cast jacket (just finished filming), I’m in my Harley-Davison halter top. It’s leather. With it I found one of the straight guys in the area. As I came up to the door of the shop this delivery man held it open for me since my hands were full of bags and such. I said, "Thank you." The guy—who was very cute—looked at my bodacious cleavage and said, "No….thank YOU!"  What a nice, friendly town!

 

 

 

 

 

 

 

 

 

At a Boston convention -- panel talk on collaborating.  Yes, there are times when we couldn't recall who wrote what.

It was a morning panel and neither of us had had a chance to score any coffee.

 

 

 

 

 

 

 

 

 

 

 

Same convention -- We get lei'd!

I do not know why those things were floating about, but since it was the closest I could get to Hawaii, what the heck, why not?

 

 

 

 

 

 

 

 

 

 

At the AggieCon 30 -- or as it came to be known AggieCon XXX!

At this point Nigel was still growing his hair out from having had to shave his head for a part in The Secret Adventures of Jules Verne. When the series came out I flipped over it and eagerly awaited Nigel’s episode. He did a great job playing this crazed guy who was tattooed all over. Nigel said it took them only 30 minutes to apply the makeup, but they had to do "casts" of his head and body to make the templates for the airbrush. They would then press the stencils against his skin and spray on the paint. He mentioned it felt very strange having that done to his bare head!

 

 

 

 

 

A VERY memorable AggieCon, indeed! I had the dubious pleasure of playing Magenta in their Rocky Horror Picture Show presentation, which was outdoors in a 50-degree wind. We got through it somehow!

 

I had it easy, only having to mime my way along while the film played behind me. Nigel had been in the for-real stage production some years previously, playing Riff Raff in Italy. He said he used to hang from the theater rafters and glare at the audience. Oh, for a time machine to go back and see THAT!

 

 

Back to top


HIS FATHER'S SON:

  

Jamie Murray's wonderful cover for His Father’s Son with and without the printing. The original of the cover was as you see here, with the Richard Dun character facing left; the art department flipped it for better composition with the title lettering. Nigel Bennett was guesting at that same Aggicon in 1999. Before he could make one round of the dealer’s room I dragged him into the art show to see Jamie’s work. "Wouldn’t this guy make the BEST cover artist for our next book?" I asked. Nigel was too engrossed by the superb portrait Jamie had done of him to reply right away, but he eventually came out of the spell and heartily agreed.

The book packager, Bill Fawcett, who had put me and Nigel together phoned Jim Baen of Baen books right then and there in the art room and asked if an artist had been picked for the job yet. No, it was still open. Jamie was invited to submit some sketches. Jamie, looking rather stunned, needed to be led back to our tables in the dealer’s room. "Are you okay?" I asked. "I can’t feel my legs," he said. He was in shock for most of the weekend, but he and Nigel did put their heads together to discuss ideas. Nigel had lots and Jamie was VERY glad for the suggestions. The final result turned out GREAT!

 

 

Where it started!  Nigel me and Jamie Murray at the Aggie Art Show.  He'd never seen Jamie's work before.  In the back ground is the portrait Jamie did that blew everyone away. 

I'm delighted that Baen Books picked it to be the cover for SIEGE PERILOUS!

Back to top

 

 

 

 


The background on His Father’s Son:  

Nigel and I had to write the sequel to Keeper pretty quick, which meant some fast outlining work. I decided I needed a vacation, too, even a working one. Come early November—which is a GREAT time to see Toronto—I flew up and parked in Nigel's guest room to do some plotting. He had a marvelous turn-of-the-century house in an artsy section of Toronto then, and when on my own time I explored the neighborhood thoroughly.

Work was a joy, as always. And oddly easy.  The first day I was pretty determined not to talk business, thinking I'd still need to settle in and get my bearings.  Besides, Nigel and I hadn't done any kind of a story storm session since the last book, which was quite some time ago.  To play catch-up, we walked around the corner to a little restaurant for dinner and before we quite knew what was happening we were suddenly plotting and planning away, with me scribbling notes on a paper napkin!  

 

The next day we went up to his home office, I got my tape recorder spinning, and then our ideas literally tumbled free!  When it comes to writing, our brains are on the same wavelength, but Nigel comes out with stuff I'd never think up!  It was WAY too much fun.  At night I’d tap away on my laptop either in my room or the kitchen—writing is hungry work!—slapping the outline into order.

During the last book it was decided early on that Nigel was best at writing the romance scenes for Lord richard!  He has a positive talent for writing hot nookie, so we gleefully figured out what would best work for this new project.  Nigel wanted to open the story with a love scene.  "Who do you think you are?"  I asked.  "Jackie Collins?"  He just grinned and chuckled.

 

Our original title was His Brother’s Keeper, but it never seemed quite right for the story, which carried a theme about father-son conflicts. But we knew we had something VERY special with it. Some months later we were guesting at a New Orleans convention and came up with the final title, His Father’s Son, which was exactly right. Still working out bugs in the outline, Nigel tossed a superb idea for the book at me over a lunch conference. It was so devastating I choked on my soup and then had to sit and stare a lot. (Can’t give it away, but if you’ve read the book I’ll tell you all about it in person.)  

At another convention Nigel read an excerpt from the opening scenes in the book, which included a hot seduction. Not ONE gal in the audience moved, hanging on every syllable! It was a blast!

Nigel does wonderful readings of the books as you can well imagine. After a too-long hiatus, the audio book he made for Keeper of the King is available once more. Please see the HOME page of this site for the purchase address for it.  I sold many at the conventions with,  "How would you like three and a half hours of Nigel Bennett softly whispering in your ear?"  I have yet to meet anyone who could resist THAT temptation!

It took us longer to finish the second book; Nigel and I were VERY busy with other projects and made it hard to link up on the phone or by e-mail at that time. His acting work kept him on the go with lots of globe-trotting, and I was working on my solo projects, but we managed.

In my opinion, Keeper was a great book, but His Father’s Son blows it out of the water into the desert. Our NEXT novel, Siege Perilous, then topped them BOTH.

In addition to the five people who made the high bids at a charity auction to have characters named after them, we commemorated two real-life people in the book. Young Deborah Heinrichs, who had been Nigel’s assistant at some conventions died tragically in a car accident not long after we began the writing. We assured her friends she would be remembered as Richard Dun’s assistant in the story.  My friend, Ruth Woodring, was taken from us by breast cancer and was one of the bravest, most cheerful, loving people I’d ever known. She was a great fan of Forever Knight and of vampires in general, often wearing her fangs to work to tweak reality for her customers. Ruth adored dancing of all kinds and was very active at Ren Fairs and other events in her persona of Vashti of the Flaming Tresses. I like to think she would be quite tickled to know her seductive alter-ego got to flirt with Richard in this book. Ruth’s name was also used in Dark Sleep as, you guessed it, a dancer.

 

 

 

 

 

 

In San Francisco at the Bridging the Knight Convention.

 

John Kapelos clowns with a table centerpiece.

 

 

 

 

 

 

 

 

 

 

 Backstage in the green room with John Kapelos and Natsuko Ohama. It's such a sweet picture of them and I love the gorgeous background painting, I just had to keep it on the large side!

 

 

 

 

 

 

 

 

 

Nigel auctions LaCroix's ring at the charity auction. 

Also auctioned: the chance to have a character named after you in His Father's Son.  

 

Five generous winners added over 1100.00 to the charity!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Professor Rivers and Richard Dun? 

Nah, John & Nigel chum it up backstage.  

 

 

 

 

 

 

 

 

 

 

 

 Nigel reacts to one of Jon's comments on a panel at "Bridging the Knight."

They were almost competitive about who could get the other to laugh the most, taking the audience along for the ride!

 

 

 

 

 

 

Back to top


Siege Perilous:

I went up to Toronto again so Nigel and I could get to work (this was work?) on the novel that would become our third in the Lord Richard series, Siege Perilous.

We’re old hands at the plotting process now. We threw ideas on the table, wrote them on index cards, then I lined them up on the floor in rough order. At the end of a few hours, we had a pretty good direction of how the book would go.  As more ideas occurred, I'd scribble those out and fit them in between the existing cards so we could plot the flow of the narrative.  It's a great time-saver and keeps everything out where we can see it.

Our number one rule for a story storming session: The word "no" is not allowed. When you’re guaranteed that ANY idea won’t be shot down, you get amazingly free and creative! This was a little something I learned from the peerless Chuck Jones. The idea sessions for his cartoons never allowed "no" in at any time. This explains why his were the BEST!

 

 

Taking a break. We’re feeling pretty good. We know Siege Perilous is going to be our best book yet!

 

 

 


 

 

 

A small 1800's chapel  in a cemetery close to Nigel's neighborhood when he lived in Toronto. 

It's the setting for funeral services in Siege Perilous.

In perfect condition, beautifully conserved, it was a tranquil place to sit and rest a bit.  I'd been doing a good deal of walking, scouting for locations to use in the book.

Ironically, there's almost no description of it in the story, as the character of Richard decided he couldn't bear to go in for the services.

 

 

 

 

 

 

 

 

 

 

 

In Keeper of the King, the assassin Charon escapes capture by rapelling down from the building on the right behind the cyclist -- the Novotel Hotel -- to a waiting limo.

 

On a drive along the Gardner Expressway, with the lake on the right and the city on the left, Nigel pointed out the Novotel as a possible location for Charon to set up a sniper's nest.  Just like in the book the eastern end of the Novotel commands a view of the Royal York Hotel.

 

I tried to have a look inside, but lobby security for the residents there wouldn't allow it. Meh, I probably wouldn't have been able to get on the roof anyway.

 

 

 

 

 

 

 


Toronto Trekking

Siege Perilous offered me a second opportunity to explore more of Toronto, and I planned things carefully, picking a nice little hotel about a mile from Nigel's general area that had a tram stop only 50 feet from the door.  I didn't need to rent a car for my week-long visit; you can go just about anywhere via the electric trams and subway.  Day after day and in the winter it might get old, but from a Texas visitor it was a delight. No parking worries, no getting lost in the streets looking for parking, and you can really SEE the city.

When visiting Niagara Falls I had no idea Nigel and I would be using it as background in one of our key scenes, so I missed some research opportunities.  Guess I'll just have to go up again to check them out!  (Oh, gosh, someone twist my arm!)

Unknown to me, the hotel I'd picked was in the middle of a neighborhood where Nigel had lived at one time a few years earlier.  When we went to lunch, I told him about this great spot I'd found, then upon arriving, he laughed and told me that was a favorite place where he used to hang all the time.  It was weird!  I think we were separated at birth or something!

I checked out other places like Casa Loma, a massive Victorian folly which is used in lots of TV shows  like Forever Knight, Psi Factor, Le Femme Nikita, Friday the 13th the Series, and Smallville.  I also got a charge when watching the movie X-Men and recognized Casa Loma's halls, conservatory, and the riding stables as part of the "school for the gifted."  It is an impressive, HUGE pile, but I can't imagine anyone living there, past or present.  I think the master bedroom had more square footage than my whole house!  The place did help in my writing, though.  I used the 600-foot underground tunnel connecting the house to the stables in a scene in The Adventures of Myhr.

Wanting the full Casa Loma experience, I made the perilous spiral star climb up BOTH towers of this New World castle.  It pooped me out, and I don't recommend trying it while weighed down with a leather coat and camera looped around your neck.  It is also NOT for anyone who doesn't like heights.  I hate them, but got over it for the duration.  Now that I have done it, I will likely do it again.  All you have to do is cling to the railings like grim death.  The views are great, though.  Maybe by my next visit they'll have elevators.

You'd think the place would be haunted--I looked around for creepy spots--but nothing jumped out at me.  Really!  Not until I explored the stables.  They were all clean, but with a leftover scent of horse from the last film crew who had been through, and it was all rather neat.  Then for some reason, as I passed what had once been the stable master's office this kind of uncomfortable being watched feeling came over me.  It was right out of Ghost Hunters.  I like a good ghost story, but have no desire to be IN one!  The weirdness seemed to cling to me, and I just wanted OUT.  There were other people around, but they seemed too far away, even when they were right next to me.

Whatever it was, the creepy-crawlies followed me as I retraced my steps to get back to the main house.  You can imagine I was NOT happy with walking alone down that long dimly lighted tunnel, which curved in places so you can't see what's coming before or behind.  I was right in one of those curving spots when my imagination--or whatever had followed me from that empty office--got the better of me.  I bolted at a dead run, feeling very silly, but gosh, there was no way I'd stop!

Then another curve straightened and up ahead another crowd of chattering tourists came toward me.  VAST relief.  I slowed to a sensible walk and tried not to puff too hard.

I don't know if what I experienced was real or not; my imagination is a necessary asset to my career, but there can be times when it works against me.  Perhaps on a second trip I'll check out that office again, just to be sure.

But I'm bringing along company!  

Back to top


From Baen Books:

 

 

SIEGE PERILOUS  

Cover by Jamie Murray

"Vampire hero Richard Dun, once called Lancelot, is back in the latest book in this exciting, critically acclaimed fantasy series by award-winning actor Nigel Bennett and award-winning writer P.N. Elrod. 

 "An old enemy from Richardís past, Charon the Assassin, returns and is literally hell-bent on bloody revenge.  Heís acquired deadly new powers that are annihilating the nebulous plane of Otherside and threaten the very existence of the Realside plane. Unless balance is restored both will be destroyed.

 "From the sultry Yucatan forests to the chill green fields of ancient Glastonbury, Richard Dun marshals his allies, mortal and immortal, for a fight that will span dimensions and centuries of time.  He is no stranger at battling to the death, but how can one earth-bound vampire challenge a monster able to destroy the gods themselves?"

 

 

Check www.baen.com for preview chapters and discount downloads!

Check out Nigel Bennett's website at: www.blackhatstation.com 

 

 

Buy the audio book!  

Three hours of Nigel Bennett softly whispering in your ear...can you take it???


© Copyright 2012 P.N. Elrod